Disability has shaped how I move through institutions, make art, collaborate, and mentor other artists.
I speak from that experience about access, ambition, representation, employment, and creative agency. I focus on disabled authorship and authority—and on the distance between being invited into a room and having real power once you are there.
Possible focus areas
Disabled authorship, leadership, and cultural participation
Space, just as much as time, can become the framework we use to compose.
I introduce the book's ideas through my installations, spatial music, and its practical method for composing with space. Sessions can begin with the central concepts or move into a working process based on principles from architecture.
Possible focus areas
Sound as an inhabitable structure
The moving listener and space as musical material
The Program Brief, eight frameworks, and Sonic Blueprint
The settings range from arts organizations and universities to government and technology conferences. The subjects have included disability, access, mentorship, creative technology, game audio, and spatial work.
Kickoff speaker — AI Unlocked Festival, Special Competitive Studies Project
Access/VSA mentor — Kennedy Center
Panel — Harkin International Disability Employment Summit
Panel — U.S. Department of Energy, with VSA
Panel — VSA at Kennedy Center
Lecture — Catholic University of America
Talk — GameSoundCon, Los Angeles
Jurist — SPARK Disability Art Festival, Calgary
Talks and master class — State Russian Museum and universities in St. Petersburg
Talks · Panels · Workshops · Academic visits
Choose the track that fits your room.
Start with disability, Sonic Blueprints, or a session that draws from both. I shape the format around the audience, the work already happening there, and the access needs of the room.