The Passenger Car was the first of my video-pixel paintings presented in a fixed, non-interactive form. I recorded the work as a performance, mapping the generative system's parameters to physical faders, buttons, and knobs.
About the work
The Passenger Car
The Passenger Car was the first of my video-pixel paintings presented in a fixed, non-interactive form. I recorded the work as a performance, mapping the generative system's parameters to physical faders, buttons, and knobs.
At Doris-Mae Art Gallery, the finished work played as an endless projection across a large window in its own room, making the room itself appear to move.
